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% ‘Matlida the Musical’ Review: Flattened Adaptation Is for Theater Fans  IndieWire × Continue to IndieWire SKIP AD You will be redirected back to your article in seconds Back to IndieWire News All News Galleries Lists Box Office Trailers Festivals Thompson on Hollywood Film All Film Reviews Interviews Profiles of a Partnership 2022 Best Movies of 2022, So Far 2022 Fall Movie Preview 2023 Oscars ’90s Week Best of the Decade Video Podcasts TV All TV Reviews Interviews 2022 Fall TV Preview 2022 Emmys Best TV Shows of 2022, So Far Influencers: The Craft of TV 2022 Video Podcasts Awards All Awards 2023 Oscar Predictions TV Awards Calendar Film Awards Calendar Thompson on Hollywood Influencers: Profiles of a Partnership 2022 Awards Spotlight Spring 2022 Craft Considerations Top of the Line Animation Podcasts Video All Video Podcasts Consider This Conversations Toolkit Sundance Studio Awards Spotlight Winter 2022 Tune In Shop Gift Guides Tech Movies and TV to Buy and Stream More About Team How to Pitch Stories and Articles to IndieWire Advertise with IndieWire Confidential Tips News All News Galleries Lists Box Office Trailers Festivals Thompson on Hollywood Film All Film Reviews Interviews Profiles of a Partnership 2022 Best Movies of 2022, So Far 2022 Fall Movie Preview 2023 Oscars ’90s Week Best of the Decade Video Podcasts TV All TV Reviews Interviews 2022 Fall TV Preview 2022 Emmys Best TV Shows of 2022, So Far Influencers: The Craft of TV 2022 Video Podcasts Awards All Awards 2023 Oscar Predictions TV Awards Calendar Film Awards Calendar Thompson on Hollywood Influencers: Profiles of a Partnership 2022 Awards Spotlight Spring 2022 Craft Considerations Top of the Line Animation Podcasts Video All Video Podcasts Consider This Conversations Toolkit Sundance Studio Awards Spotlight Winter 2022 Tune In Shop Gift Guides Tech Movies and TV to Buy and Stream More About Team How to Pitch Stories and Articles to IndieWire Advertise with IndieWire Confidential Tips 
 <h1>&#8216 Matlida the Musical&#8217  Review  This Flattened Adaptation Is Strictly for Theater Fans</h1> 
 <h2>London  Roald Dahl s unique heroine and her spiky world don t belong in this  still occasionally sweet  theater-to-screen universe </h2> Ella Kemp Oct 5, 2022 2:30 pm Share This Article Reddit LinkedIn WhatsApp Email Print Talk &#8220;Matilda the Musical&#8221; DAN SMITH/NETFLIX It's been a widely accepted fact since 1988 that Matilda Wormwood is not a normal girl. She is clever - stupidly clever - and kind, and can also make use of psychokinetic powers whenever she needs to.
% ‘Matlida the Musical’ Review: Flattened Adaptation Is for Theater Fans IndieWire × Continue to IndieWire SKIP AD You will be redirected back to your article in seconds Back to IndieWire News All News Galleries Lists Box Office Trailers Festivals Thompson on Hollywood Film All Film Reviews Interviews Profiles of a Partnership 2022 Best Movies of 2022, So Far 2022 Fall Movie Preview 2023 Oscars ’90s Week Best of the Decade Video Podcasts TV All TV Reviews Interviews 2022 Fall TV Preview 2022 Emmys Best TV Shows of 2022, So Far Influencers: The Craft of TV 2022 Video Podcasts Awards All Awards 2023 Oscar Predictions TV Awards Calendar Film Awards Calendar Thompson on Hollywood Influencers: Profiles of a Partnership 2022 Awards Spotlight Spring 2022 Craft Considerations Top of the Line Animation Podcasts Video All Video Podcasts Consider This Conversations Toolkit Sundance Studio Awards Spotlight Winter 2022 Tune In Shop Gift Guides Tech Movies and TV to Buy and Stream More About Team How to Pitch Stories and Articles to IndieWire Advertise with IndieWire Confidential Tips News All News Galleries Lists Box Office Trailers Festivals Thompson on Hollywood Film All Film Reviews Interviews Profiles of a Partnership 2022 Best Movies of 2022, So Far 2022 Fall Movie Preview 2023 Oscars ’90s Week Best of the Decade Video Podcasts TV All TV Reviews Interviews 2022 Fall TV Preview 2022 Emmys Best TV Shows of 2022, So Far Influencers: The Craft of TV 2022 Video Podcasts Awards All Awards 2023 Oscar Predictions TV Awards Calendar Film Awards Calendar Thompson on Hollywood Influencers: Profiles of a Partnership 2022 Awards Spotlight Spring 2022 Craft Considerations Top of the Line Animation Podcasts Video All Video Podcasts Consider This Conversations Toolkit Sundance Studio Awards Spotlight Winter 2022 Tune In Shop Gift Guides Tech Movies and TV to Buy and Stream More About Team How to Pitch Stories and Articles to IndieWire Advertise with IndieWire Confidential Tips

‘ Matlida the Musical’ Review This Flattened Adaptation Is Strictly for Theater Fans

London Roald Dahl s unique heroine and her spiky world don t belong in this still occasionally sweet theater-to-screen universe

Ella Kemp Oct 5, 2022 2:30 pm Share This Article Reddit LinkedIn WhatsApp Email Print Talk “Matilda the Musical” DAN SMITH/NETFLIX It's been a widely accepted fact since 1988 that Matilda Wormwood is not a normal girl. She is clever - stupidly clever - and kind, and can also make use of psychokinetic powers whenever she needs to.
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Charlotte Lee 4 minutes ago
Her world is a fantasy and a horror at once, trapped by cruel parents and misunderstood by a tyranni...
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Oliver Taylor 1 minutes ago
It was exciting - and it felt true, in the same way that kids barely tall enough to reach the c...
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Her world is a fantasy and a horror at once, trapped by cruel parents and misunderstood by a tyrannical headmistress at her school (Crunchem Hall) and buoyed by her freakishly powerful brain. It is wonderful, but also quite weird. This was the world written by Road Dahl, the unsentimental and exceptional children's author who always placed greater trust in young minds to handle dark humor than most other storytellers.
Her world is a fantasy and a horror at once, trapped by cruel parents and misunderstood by a tyrannical headmistress at her school (Crunchem Hall) and buoyed by her freakishly powerful brain. It is wonderful, but also quite weird. This was the world written by Road Dahl, the unsentimental and exceptional children's author who always placed greater trust in young minds to handle dark humor than most other storytellers.
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Sophia Chen 4 minutes ago
It was exciting - and it felt true, in the same way that kids barely tall enough to reach the c...
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Joseph Kim 2 minutes ago
The story somewhat changed in 2010 with the incredible hit that was “Matilda the Musical,̶...
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It was exciting -&nbsp;and it felt true, in the same way that kids barely tall enough to reach the counter would always assure cinema ushers they were definitely, definitely old enough for this horror movie that was in development when they were in diapers. Some are just wise beyond their years. <h3>Related</h3> Antonio Campos to Lead HBO Max&#039;s &#039;Arkham Asylum&#039; as Showrunner, Director 9 Semi-Scary to Very Scary Shows Perfect For Fledgling Horror TV Fans 
 <h3>Related</h3> The Best Shows to Watch on Discovery+ Ana de Armas and Michelle Williams Make a Showy Entrance Into the Best Actress Race That level of trust in children is rare, and what Dahl's imagination gave the world wasn't meant to last forever.
It was exciting - and it felt true, in the same way that kids barely tall enough to reach the counter would always assure cinema ushers they were definitely, definitely old enough for this horror movie that was in development when they were in diapers. Some are just wise beyond their years.

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Antonio Campos to Lead HBO Max's 'Arkham Asylum' as Showrunner, Director 9 Semi-Scary to Very Scary Shows Perfect For Fledgling Horror TV Fans

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The Best Shows to Watch on Discovery+ Ana de Armas and Michelle Williams Make a Showy Entrance Into the Best Actress Race That level of trust in children is rare, and what Dahl's imagination gave the world wasn't meant to last forever.
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James Smith 10 minutes ago
The story somewhat changed in 2010 with the incredible hit that was “Matilda the Musical,̶...
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Jack Thompson 9 minutes ago
The new film is as faithful as can be to the stage musical, with performances bursting with earnest ...
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The story somewhat changed in 2010 with the incredible hit that was &#8220;Matilda the Musical,&#8221; written by Dennis Kelly and Tim Minchin and commissioned by the Royal Shakespeare Company -&nbsp;a stage musical that continues to sell out and steal the hearts of enormous audiences, even over a decade after its debut. It has great strengths and does use Dahl's work as a blueprint, but it fundamentally has a different heart, one that now beats brightly in &#8220;Roald Dahl's Matilda the Musical,&#8221; a film title that feels as paradoxical as the horrific Miss Trunchbull enjoying a delicious little slice of sugary-sweet private chocolate cake, particularly after you confront just how un-Matilda this version of "Matilda&#8221; really is.
The story somewhat changed in 2010 with the incredible hit that was “Matilda the Musical,” written by Dennis Kelly and Tim Minchin and commissioned by the Royal Shakespeare Company - a stage musical that continues to sell out and steal the hearts of enormous audiences, even over a decade after its debut. It has great strengths and does use Dahl's work as a blueprint, but it fundamentally has a different heart, one that now beats brightly in “Roald Dahl's Matilda the Musical,” a film title that feels as paradoxical as the horrific Miss Trunchbull enjoying a delicious little slice of sugary-sweet private chocolate cake, particularly after you confront just how un-Matilda this version of "Matilda” really is.
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Joseph Kim 6 minutes ago
The new film is as faithful as can be to the stage musical, with performances bursting with earnest ...
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The new film is as faithful as can be to the stage musical, with performances bursting with earnest energy and holding peerless faith in that clever little girl. But both versions of &#8220;Matilda the Musical&#8221; lose sight of the original spikiness of Dahl's book (something captured horribly well in Danny DeVito's 1998 live-action film adaptation) in favor of a cleaner, more harmonized portrait that puts forward catchy and clever songs (there's no doubting Minchin) in the place of more complex reckonings with education, revolution, cruelty, and love that are just waiting to be dusted off the page.
The new film is as faithful as can be to the stage musical, with performances bursting with earnest energy and holding peerless faith in that clever little girl. But both versions of “Matilda the Musical” lose sight of the original spikiness of Dahl's book (something captured horribly well in Danny DeVito's 1998 live-action film adaptation) in favor of a cleaner, more harmonized portrait that puts forward catchy and clever songs (there's no doubting Minchin) in the place of more complex reckonings with education, revolution, cruelty, and love that are just waiting to be dusted off the page.
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Julia Zhang 6 minutes ago
“Matilda the Musical” DAN SMITH/NETFLIX Matthew Warchus makes the leap (that feels like ...
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Elijah Patel 5 minutes ago
Again, we're well aware that Matilda Wormwood isn't normal, but by trying to turn every normal child...
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&#8220;Matilda the Musical&#8221;
DAN SMITH/NETFLIX Matthew Warchus makes the leap (that feels like a tiny playground skip) from stage to screen to direct the new Netflix production, holding close many elements from his stage creation. The director's experience in the theater painfully shows, as characters are lit flatly (Lashana Lynch, giving a heartfelt performance as Miss Honey, particular suffers from this), though they still execute the most fastidious choreography (even though these children haven't learned to even spell that word yet).
“Matilda the Musical” DAN SMITH/NETFLIX Matthew Warchus makes the leap (that feels like a tiny playground skip) from stage to screen to direct the new Netflix production, holding close many elements from his stage creation. The director's experience in the theater painfully shows, as characters are lit flatly (Lashana Lynch, giving a heartfelt performance as Miss Honey, particular suffers from this), though they still execute the most fastidious choreography (even though these children haven't learned to even spell that word yet).
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Again, we're well aware that Matilda Wormwood isn't normal, but by trying to turn every normal child into a triple threat, it only dulls her shine. The whole thing just feel like watching the UK's hottest new dance troupe on season 15 of &#8220;Britain's Got Talent.&#8221; It's no surprise that every casting director wants Lynch on their list since her MCU debut in &#8220;Captain Marvel.&#8221; Yet, in her &#8220;Matilda&#8221; casting, we witness another extraordinary young woman, having made a name for herself playing incandescent women breaking the mold, who has to make herself smaller to fit this humble role.
Again, we're well aware that Matilda Wormwood isn't normal, but by trying to turn every normal child into a triple threat, it only dulls her shine. The whole thing just feel like watching the UK's hottest new dance troupe on season 15 of “Britain's Got Talent.” It's no surprise that every casting director wants Lynch on their list since her MCU debut in “Captain Marvel.” Yet, in her “Matilda” casting, we witness another extraordinary young woman, having made a name for herself playing incandescent women breaking the mold, who has to make herself smaller to fit this humble role.
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William Brown 32 minutes ago
Her performance of the musical's ballad “My Home” proves the actor's musical talent, but...
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Elijah Patel 3 minutes ago
They would share sweets and marvel at the rainbow wrappers, and that would be enough. “Matilda...
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Her performance of the musical's ballad &#8220;My Home&#8221; proves the actor's musical talent, but there is a pervading sense that Lynch is just too much of a star for this. You want to see her, but it's blinding to watch. Much of the film's problems come from decisions making sense on paper, which then lose sight of the supremely difficult balance Dahl struck when writing a story about such a cacophonous world: terrifying when Matilda felt it (it's a shame the obsession with television is ignored and the prospect of revolution fully watered down), pathetic whenever her parents were studied like zoo animals (Stephen Graham and Andrea Riseborough have fun as the Wormwoods, but their pantomimic edge veers towards sold-out physical audience belly laughs, not the longer-lasting screen character comedy both actors can master), and so tender in moments when Matilda and Miss Honey found quiet moments of kinship in the mess of it all.
Her performance of the musical's ballad “My Home” proves the actor's musical talent, but there is a pervading sense that Lynch is just too much of a star for this. You want to see her, but it's blinding to watch. Much of the film's problems come from decisions making sense on paper, which then lose sight of the supremely difficult balance Dahl struck when writing a story about such a cacophonous world: terrifying when Matilda felt it (it's a shame the obsession with television is ignored and the prospect of revolution fully watered down), pathetic whenever her parents were studied like zoo animals (Stephen Graham and Andrea Riseborough have fun as the Wormwoods, but their pantomimic edge veers towards sold-out physical audience belly laughs, not the longer-lasting screen character comedy both actors can master), and so tender in moments when Matilda and Miss Honey found quiet moments of kinship in the mess of it all.
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Isaac Schmidt 2 minutes ago
They would share sweets and marvel at the rainbow wrappers, and that would be enough. “Matilda...
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Mason Rodriguez 6 minutes ago
Hundreds of thousands of viewers adore this story told on the stage in this way, but it's a common m...
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They would share sweets and marvel at the rainbow wrappers, and that would be enough. &#8220;Matilda the Musical&#8221;
DAN SMITH/NETFLIX Is the biggest struggle with this film, then, the fact that it is a musical? All the noise?
They would share sweets and marvel at the rainbow wrappers, and that would be enough. “Matilda the Musical” DAN SMITH/NETFLIX Is the biggest struggle with this film, then, the fact that it is a musical? All the noise?
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Mason Rodriguez 13 minutes ago
Hundreds of thousands of viewers adore this story told on the stage in this way, but it's a common m...
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Henry Schmidt 18 minutes ago
And yet, in the mess of it all, there is Emma Thompson. Underneath the fake nose and enormous pentag...
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Hundreds of thousands of viewers adore this story told on the stage in this way, but it's a common mistake to believe it a guaranteed success when transferred to the screen. It's back on film that Dahl's acerbic edge is sorely missed, that newcomer Alisha Weir's plain ambition and innocence isn't enough to convince, that a sea of schoolchildren rotating on wooden platforms in magenta-sequinned blazers while Bruce Bogtrotter munches away on Miss Trunchbull's cake is just a migraine waiting to happen.
Hundreds of thousands of viewers adore this story told on the stage in this way, but it's a common mistake to believe it a guaranteed success when transferred to the screen. It's back on film that Dahl's acerbic edge is sorely missed, that newcomer Alisha Weir's plain ambition and innocence isn't enough to convince, that a sea of schoolchildren rotating on wooden platforms in magenta-sequinned blazers while Bruce Bogtrotter munches away on Miss Trunchbull's cake is just a migraine waiting to happen.
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And yet, in the mess of it all, there is Emma Thompson. Underneath the fake nose and enormous pentagonal jawline, it's a fully molecular metamorphosis that sings in ways every other part of the film pretty much falls short on. Somehow, England's greatest screen talent proves she can find the authenticity in this.
And yet, in the mess of it all, there is Emma Thompson. Underneath the fake nose and enormous pentagonal jawline, it's a fully molecular metamorphosis that sings in ways every other part of the film pretty much falls short on. Somehow, England's greatest screen talent proves she can find the authenticity in this.
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Sophie Martin 36 minutes ago
All the story of Matilda ever needed was great understanding, not just goodwill or really good songs...
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All the story of Matilda ever needed was great understanding, not just goodwill or really good songs (although Thompson gets a new one from Minchin in &#8220;Discipline,&#8221; an undeniable comic triumph and feat of endurance). Thompson fully distills Trunchbull's rage and resentment, reining in the pathetic comedy when fear takes priority, and never veering into outright abuse (which Graham's neglectful dad fully does).
All the story of Matilda ever needed was great understanding, not just goodwill or really good songs (although Thompson gets a new one from Minchin in “Discipline,” an undeniable comic triumph and feat of endurance). Thompson fully distills Trunchbull's rage and resentment, reining in the pathetic comedy when fear takes priority, and never veering into outright abuse (which Graham's neglectful dad fully does).
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Matilda's magic is finally put to good use for the first time since 1998 in a wicked Disney villain-esque sequence, complete with snaking chains and impressive pigtails, but it only works thanks to Thompson's ridiculous -&nbsp;but never farcical -&nbsp;commitment. Perhaps the ambition is to open up the story of Matilda to more children, younger children, those veering towards a more timid personality.
Matilda's magic is finally put to good use for the first time since 1998 in a wicked Disney villain-esque sequence, complete with snaking chains and impressive pigtails, but it only works thanks to Thompson's ridiculous - but never farcical - commitment. Perhaps the ambition is to open up the story of Matilda to more children, younger children, those veering towards a more timid personality.
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David Cohen 62 minutes ago
It's admirable, but also opposes the real conflict Matilda's qualities - talent, intelligence, emoti...
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It's admirable, but also opposes the real conflict Matilda's qualities - talent, intelligence, emotional threshold -&nbsp;were subjected to. It's no crime to have another wholesome heroine for a new generation to look up to, only a shame that this is a sanitized reproduction and slight distortion of one who already existed.
It's admirable, but also opposes the real conflict Matilda's qualities - talent, intelligence, emotional threshold - were subjected to. It's no crime to have another wholesome heroine for a new generation to look up to, only a shame that this is a sanitized reproduction and slight distortion of one who already existed.
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Christopher Lee 36 minutes ago
Most kids who feel like they don't belong, like they're misunderstood or distrusted, or who are just...
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Victoria Lopez 68 minutes ago
This version, or any other.

Grade C

“Matilda the Musical” premiered at the 20...
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Most kids who feel like they don't belong, like they're misunderstood or distrusted, or who are just plain lonely might not have the vim to mini-girlboss their way into a brighter future, hands on their hips and songs in their heart. Maybe they just want to read books. But then most kids, and jaded adults, aren't like Matilda.
Most kids who feel like they don't belong, like they're misunderstood or distrusted, or who are just plain lonely might not have the vim to mini-girlboss their way into a brighter future, hands on their hips and songs in their heart. Maybe they just want to read books. But then most kids, and jaded adults, aren't like Matilda.
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Elijah Patel 8 minutes ago
This version, or any other.

Grade C

“Matilda the Musical” premiered at the 20...
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This version, or any other. <h3>Grade  C </h3> &#8220;Matilda the Musical&#8221; premiered at the 2022 London Film Festival.
This version, or any other.

Grade C

“Matilda the Musical” premiered at the 2022 London Film Festival.
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Sony Pictures and TriStar will release the film in UK theaters on November 25. It will stream later this year on Netflix. Sign Up: Stay on top of the latest breaking film and TV news!
Sony Pictures and TriStar will release the film in UK theaters on November 25. It will stream later this year on Netflix. Sign Up: Stay on top of the latest breaking film and TV news!
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